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Mitch King

Mitch King is an Australian multi-instrumentalist and singer-songwriter with over 85 million streams worldwide, known for his electrifying one-man-band performances and genre-blending sound drawing from Southern blues, Australian folk, roots and alt-country.
He first gained national attention in 2016, winning the Tamworth Country Music Busking Championship and shortly after being voted Hottest New Act at the St Kilda Festival.
His debut album A Life Under the Sun reached international audiences when the track “Coming Back” was featured half time at the Green Bay Packers’ NFL season opener.
Mitch later released The Open Doors EP through the late Michael Gudinski under Reclusive Records (Mushroom Group). The release included “Oil & Water”, co-written with Mark Lizotte (Diesel), which earned an Honourable Mention and a category win at the 2022 International Songwriting Competition.
In January 2026, Mitch delivered a standout Official Showcase at Folk Alliance International in New Orleans, opening new pathways for global touring.
On stage, Mitch is a true one-man powerhouse—seamlessly blending acoustic and electrified guitar, harmonica, kick and snare drums, tambourine, and rich, commanding vocals.
Through extensive touring, Mitch has built a loyal fanbase and performed at major festivals including Woodford Folk Festival, Blues on Broadbeach, and Byron Bay Blues Festival, while also supporting artists such as America, Roger Hodgson (Supertramp), and Tones and I.
His latest independent album, Power In Your Hands (October 2025), marks a confident new chapter as Mitch King continues to carve his own path on the global stage.

A festival where everyone belongs.

Government of Western Australia

The Blues at Bridgetown is supported by the WA Government through Tourism WA and Royalties for Regions.

Acknowledgement of Country

In the spirit of reconciliation the Blues at Bridgetown organisation acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.

Accessibility & inclusion

Blues at Bridgetown is committed to creating a welcoming, safe, and inclusive festival experience for all attendees, artists, volunteers, staff, and community members.

We celebrate diversity and strive to ensure that everyone can participate in and enjoy the festival regardless of age, ability, gender identity, sexual orientation, cultural background, ethnicity, religion, socioeconomic status, or personal circumstances.

We are dedicated to improving accessibility across our festival sites and events. We work to identify and reduce barriers to participation wherever possible and welcome feedback from patrons and community members to help us continually improve our accessibility and inclusion practices.

We expect all festival participants to treat one another with respect, dignity, and consideration. Discrimination, harassment, bullying, or any form of exclusionary behaviour will not be tolerated.

Blues at Bridgetown recognises the importance of creating spaces where people feel valued, represented, and able to engage fully in the festival experience. We encourage anyone with specific access requirements to contact us in advance so that we can work together to support their participation wherever reasonably possible.

As a community-focused event, we acknowledge that inclusion is an ongoing journey. We are committed to listening, learning, and collaborating with our audience, artists, volunteers, partners, and local community to ensure Blues at Bridgetown remains a festival where everyone belongs.