2026 · Blues Bytes

Interview by Bob Gordon

What’s the best thing about playing festivals?

The best thing about playing festivals is seeing old friends – musicians and music lovers – and making new ones. And the good spread of awesome music of course!

Do you have a Blues at Bridgetown experience that you’d like to share, either performing or as an audience member?

I love Bridgetown so much. Our first ever set at the festival was to a jam-packed Karma Llama room with a line out the door and people in the crowd came up and gave me flowers which was so sweet.

Where do you feel you fit in musically along the blues and roots scale?

Well, we are very rootsy. Bit of blues and a lot of soul.

What have been the highlights of your music career thus far?

Opening for Christine Anu earlier this year was incredible. Opening for The Waifs and Daryl Braithwaite were both awesome!

This year I got to play mainstage at Nannup Music Festival and then the following month being helicoptered onto the True North to play in the remote Kimberley with the most spectacular natural backdrop – ocean, waterfalls, tall cliffs, gorges… I feel pretty grateful!

What have you been mainly focussing on in 2026 and how is it coming along?

My style of 'focus' is always a few tabs open at once. I've been working on album #2 among the other tabs and it should be ready in early 2027.

What are your plans and hopes for 2027?

In 2027 I'd really love to tour my new album and also branch out and play some shows interstate. Just putting it out there Universe!

What can folks expect from your performances at Blues at Bridgetown?

I'm excited already! You can expect a big sound from the big band. Get ready to shake it all off, stir it all up and be carried on a music journey through emotional valleys to be uplifted to strong, empowered mountain peaks. Let’s have some fun!

Also, I'm running a workshop on Saturday with Jaime Jackett where we will learn one of my songs to sing along with on the Sunday slot at the Festival Club. That set will be a little bit different to the Friday and Saturday.

A festival where everyone belongs.

Government of Western Australia

The Blues at Bridgetown is supported by the WA Government through Tourism WA and Royalties for Regions.

Acknowledgement of Country

In the spirit of reconciliation the Blues at Bridgetown organisation acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.

Accessibility & inclusion

Blues at Bridgetown is committed to creating a welcoming, safe, and inclusive festival experience for all attendees, artists, volunteers, staff, and community members.

We celebrate diversity and strive to ensure that everyone can participate in and enjoy the festival regardless of age, ability, gender identity, sexual orientation, cultural background, ethnicity, religion, socioeconomic status, or personal circumstances.

We are dedicated to improving accessibility across our festival sites and events. We work to identify and reduce barriers to participation wherever possible and welcome feedback from patrons and community members to help us continually improve our accessibility and inclusion practices.

We expect all festival participants to treat one another with respect, dignity, and consideration. Discrimination, harassment, bullying, or any form of exclusionary behaviour will not be tolerated.

Blues at Bridgetown recognises the importance of creating spaces where people feel valued, represented, and able to engage fully in the festival experience. We encourage anyone with specific access requirements to contact us in advance so that we can work together to support their participation wherever reasonably possible.

As a community-focused event, we acknowledge that inclusion is an ongoing journey. We are committed to listening, learning, and collaborating with our audience, artists, volunteers, partners, and local community to ensure Blues at Bridgetown remains a festival where everyone belongs.