At their age, Blue and Bird should know better. Drinking, smoking, and playing rock ‘n’ roll only leads down one path. D. Forster and N. Bird met in the depths of dirty Fremantle music venues, before joining forces in Kalgoorlie, WA to deliver the opening track of WAM’s Sounds of the Goldfields almost a decade ago.

Threatening each other to make songs ever since, the duo riled some notable music mates, including Ben Witt, Lee Jones, Sean Lillico and Danny Haines, and at a glacial pace, tumbled together a bundle of tracks, readied with mix engineer Sean Lillico at Fur Real Studios in WA’s Margaret River region.

The first track ‘Everything’ earned a 2025 WA Music Song of the Year finalist nod and went on to take an Honorable Mention in the Rock category at the 2025 International Songwriting Competition, placing in the top 1% of around 13,000 entries from 112 countries.

Blue and Bird hit the bitumen with regional shows across WA, performing at Esperance’s Beach Dazed Festival and the 2026 Nannup Music Festival, and are confirmed on the line-up for the 2026 Bridgetown Blues Festival. Forster’s unmistakable gravel rasp and too loud guitars complement the drum gods possessing Bird’s tub thumping in this noisy rock duo.

A festival where everyone belongs.

Government of Western Australia

The Blues at Bridgetown is supported by the WA Government through Tourism WA and Royalties for Regions.

Acknowledgement of Country

In the spirit of reconciliation the Blues at Bridgetown organisation acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.

Accessibility & inclusion

Blues at Bridgetown is committed to creating a welcoming, safe, and inclusive festival experience for all attendees, artists, volunteers, staff, and community members.

We celebrate diversity and strive to ensure that everyone can participate in and enjoy the festival regardless of age, ability, gender identity, sexual orientation, cultural background, ethnicity, religion, socioeconomic status, or personal circumstances.

We are dedicated to improving accessibility across our festival sites and events. We work to identify and reduce barriers to participation wherever possible and welcome feedback from patrons and community members to help us continually improve our accessibility and inclusion practices.

We expect all festival participants to treat one another with respect, dignity, and consideration. Discrimination, harassment, bullying, or any form of exclusionary behaviour will not be tolerated.

Blues at Bridgetown recognises the importance of creating spaces where people feel valued, represented, and able to engage fully in the festival experience. We encourage anyone with specific access requirements to contact us in advance so that we can work together to support their participation wherever reasonably possible.

As a community-focused event, we acknowledge that inclusion is an ongoing journey. We are committed to listening, learning, and collaborating with our audience, artists, volunteers, partners, and local community to ensure Blues at Bridgetown remains a festival where everyone belongs.