2025 · Blues Bytes archive

Interview by Bob Gordon 

What’s the best thing about playing festivals?

Without a doubt the people – all the people. 

Do you have a Blues at Bridgetown experience that you’d like to share, either performing or as an audience member? 

Hearing Tony Joe White for the first time at Blue Owl’s Nest (2005) from the outskirts of the festival and being drawn into the fence to listen to the full set as a young boy. Little did I know I would have the chance to support him years later when he toured WA. 

Where do you feel you fit in musically along the blues and roots scale?

Right at the top… and then all the way to the bottom.

What have been the highlights of your music career thus far?

Every gig is a highlight.  Playing with friends and doing what I love – doesn’t get much better. Last February at Port Beach Brewery has to be up there – friends got together and put on an 8 Band event, Lightning In A Bottle, which was a showcase of some of WA’s most special musical families, all coming together to show me their support following some issues with my vision. Mind blown. 

What have you been mainly focussing on in 2025 and how is it coming along?

We’re putting all our energy into the upcoming release of my fourth studio album, Tone River, this November.  It’s exciting to be bringing the full band sound to the forefront. It’s creaming along and I’m enjoying playing the shows with the band in the lead up.  

What are your plans and hopes for 2026?

Lots of fishing, gardening and gigs. 

What can folks expect from your performances at Blues at Bridgetown? 

If you haven’t already heard me come along and have a listen.  I’ll be trotting out some new songs, bringing the band along, should be fun. 

A festival where everyone belongs.

Government of Western Australia

The Blues at Bridgetown is supported by the WA Government through Tourism WA and Royalties for Regions.

Acknowledgement of Country

In the spirit of reconciliation the Blues at Bridgetown organisation acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.

Accessibility & inclusion

Blues at Bridgetown is committed to creating a welcoming, safe, and inclusive festival experience for all attendees, artists, volunteers, staff, and community members.

We celebrate diversity and strive to ensure that everyone can participate in and enjoy the festival regardless of age, ability, gender identity, sexual orientation, cultural background, ethnicity, religion, socioeconomic status, or personal circumstances.

We are dedicated to improving accessibility across our festival sites and events. We work to identify and reduce barriers to participation wherever possible and welcome feedback from patrons and community members to help us continually improve our accessibility and inclusion practices.

We expect all festival participants to treat one another with respect, dignity, and consideration. Discrimination, harassment, bullying, or any form of exclusionary behaviour will not be tolerated.

Blues at Bridgetown recognises the importance of creating spaces where people feel valued, represented, and able to engage fully in the festival experience. We encourage anyone with specific access requirements to contact us in advance so that we can work together to support their participation wherever reasonably possible.

As a community-focused event, we acknowledge that inclusion is an ongoing journey. We are committed to listening, learning, and collaborating with our audience, artists, volunteers, partners, and local community to ensure Blues at Bridgetown remains a festival where everyone belongs.