2026 · Blues Bytes

Interview by Bob Gordon

What’s the best thing about playing festivals?

One of the best things is that you get to enjoy both sides of the experience. There’s the excitement of getting on stage and enjoying your own set, and there’s also the opportunity to discover so many other artists and get inspired by what they’re doing. Add in the market stalls, local food and the chance to check out what the region has to offer, and it really is the best of both worlds.

Do you have a Blues at Bridgetown experience that you’d like to share, either performing or as an audience member?

This will be my first experience at Blues at Bridgetown, so I’m excited to experience the festival, meet some great people, discover new music and, hopefully, make some great memories.

Where do you feel you fit in musically along the blues and roots scale?

My music has a swampy blues sound, while also dabbling in some folk and other influences. When I’m on stage, I like to explore a variety of styles and sub-genres within the blues and roots umbrella. It keeps things interesting for me as a performer, while hopefully keeping the audience stimulated and engaged as well.

What have been the highlights of your music career thus far?

A couple of big highlights have been touring Australia as a support act for America and Roger Hodgson from Supertramp. Another huge milestone has been reaching more than 85 million streams across various platforms including Pandora Radio and Spotify. It’s incredible to think that my music has reached that many people around the world.

What have you been mainly focussing on in 2026 and how is it coming along?

I’ve been starting to focus on performing internationally, particularly as a large part of my audience is based in the US and Canada. I’ve also been working on a new single, which I’m planning to release in December. Things are going really well, and earlier this year I had the opportunity to perform in New Orleans at the International Folk Conference, which was a great opportunity to connect with music industry people and artists from around the world.

What are your plans and hopes for 2027?

My main plan for 2027 is to release an EP. It’s not fully written yet, so I’m looking forward to seeing where the songwriting takes me. I’d also love to spend the year touring both around Australia and overseas, continuing to build on the international audience I’ve been developing.

What can folks expect from your performances at Blues at Bridgetown?

People can expect a pretty energetic, foot-stomping style of blues and roots music. I like to bring plenty of energy to my live shows and mix things up with different flavours of blues and roots, so hopefully there’ll be plenty to get people moving and have a good time.

A festival where everyone belongs.

Government of Western Australia

The Blues at Bridgetown is supported by the WA Government through Tourism WA and Royalties for Regions.

Acknowledgement of Country

In the spirit of reconciliation the Blues at Bridgetown organisation acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.

Accessibility & inclusion

Blues at Bridgetown is committed to creating a welcoming, safe, and inclusive festival experience for all attendees, artists, volunteers, staff, and community members.

We celebrate diversity and strive to ensure that everyone can participate in and enjoy the festival regardless of age, ability, gender identity, sexual orientation, cultural background, ethnicity, religion, socioeconomic status, or personal circumstances.

We are dedicated to improving accessibility across our festival sites and events. We work to identify and reduce barriers to participation wherever possible and welcome feedback from patrons and community members to help us continually improve our accessibility and inclusion practices.

We expect all festival participants to treat one another with respect, dignity, and consideration. Discrimination, harassment, bullying, or any form of exclusionary behaviour will not be tolerated.

Blues at Bridgetown recognises the importance of creating spaces where people feel valued, represented, and able to engage fully in the festival experience. We encourage anyone with specific access requirements to contact us in advance so that we can work together to support their participation wherever reasonably possible.

As a community-focused event, we acknowledge that inclusion is an ongoing journey. We are committed to listening, learning, and collaborating with our audience, artists, volunteers, partners, and local community to ensure Blues at Bridgetown remains a festival where everyone belongs.